UANTANAMO BAY NAVAL BASE, Cuba (AP)
-- Blaring from a speaker behind a metal
grate in his tiny cell in Iraq, the
blistering rock from Nine Inch Nails hit
Prisoner No. 200343 like a sonic
bludgeon.
"Stains like the blood on your teeth,"
Trent Reznor snarled over distorted
guitars. "Bite. Chew."
The auditory assault went on for days,
then weeks, then months at the U.S.
military detention center in Iraq.
Twenty hours a day. AC/DC. Queen.
Pantera. The prisoner, military
contractor Donald Vance of Chicago, told
The Associated Press he was soon
suicidal.
The tactic has been common in the U.S.
war on terror, with forces
systematically using loud music on
hundreds of detainees in Iraq,
Afghanistan and Guantanamo Bay. Lt. Gen.
Ricardo Sanchez, then the U.S. military
commander in Iraq, authorized it on
Sept. 14, 2003, "to create fear,
disorient ... and prolong capture
shock."
Now the detainees aren't the only ones
complaining. Musicians are banding
together to demand the U.S. military
stop using their songs as weapons.
A
campaign being launched Wednesday has
brought together groups including
Massive Attack and musicians such as Tom
Morello, who played with Rage Against
the Machine and Audioslave and is now on
a solo tour. It will feature minutes of
silence during concerts and festivals,
said Chloe Davies of the British law
group Reprieve, which represents dozens
of Guantanamo Bay detainees and is
organizing the campaign.
At
least Vance, who says he was jailed for
reporting illegal arms sales, was used
to rock music. For many detainees who
grew up in Afghanistan - where music was
prohibited under Taliban rule -
interrogations by U.S. forces marked
their first exposure to the pounding
rhythms, played at top volume.
The experience was overwhelming for
many. Binyam Mohammed, now a prisoner at
Guantanamo Bay, said men held with him
at the CIA's "Dark Prison" in
Afghanistan wound up screaming and
smashing their heads against walls,
unable to endure more.
"There was loud music, (Eminem's) 'Slim
Shady' and Dr. Dre for 20 days. I heard
this nonstop over and over," he told his
lawyer, Clive Stafford Smith. "The CIA
worked on people, including me, day and
night for the months before I left.
Plenty lost their minds."
Rear Adm. David Thomas, the commander of
Guantanamo's detention center, said the
music treatment is not currently used at
Guantanamo but added that he could not
rule out its use in the future.
"I
couldn't speculate and I wouldn't
speculate but I can tell you it doesn't
happen here at Guantanamo and it hasn't
happened since I've been here," Thomas,
who has been at Guantanamo for a
half-year, told AP.
The spokeswoman for Guantanamo's
detention center, Navy Cmdr. Pauline
Storum, wouldn't give details of when
and how music has been used at the
prison.
FBI agents stationed at Guantanamo Bay
reported numerous instances in which
music was blasted at detainees, saying
they were "told such tactics were common
there."
According to an FBI memo, one
interrogator at Guantanamo Bay bragged
he needed only four days to "break"
someone by alternating 16 hours of music
and lights with four hours of silence
and darkness.
Ruhal Ahmed, a Briton who was captured
in Afghanistan, describes excruciating
sessions at Guantanamo Bay. He said his
hands were shackled to his feet, which
were shackled to the floor, forcing him
into a painful squat for periods of up
to two days.
"You're in agony," Ahmed, who was
released without charge in 2004, told
Reprieve. He said the agony was
compounded when music was introduced,
because "before you could actually
concentrate on something else, try to
make yourself focus on some other things
in your life that you did before and
take that pain away.
"It makes you feel like you are going
mad," he said.
Not all of the music is hard rock.
Christopher Cerf, who wrote music for
"Sesame Street," said he was horrified
to learn songs from the children's TV
show were used in interrogations.
"I
wouldn't want my music to be a party to
that," he told AP.
Bob Singleton, whose song "I Love You"
is beloved by legions of preschool
Barney fans, wrote in a newspaper
opinion column that any music can become
unbearable if played loudly for long
stretches.
"It's absolutely ludicrous," he wrote in
the Los Angeles Times. "A song that was
designed to make little children feel
safe and loved was somehow going to
threaten the mental state of adults and
drive them to the emotional breaking
point?"
Morello, of Rage Against the Machine,
has been especially forceful in
denouncing the practice. During a recent
concert in San Francisco, he proposed
taking revenge on President George W.
Bush.
"I
suggest that they level Guantanamo Bay,
but they keep one small cell and they
put Bush in there ... and they blast
some Rage Against the Machine," he said
to whoops and cheers.
Some musicians, however, say they're
proud that their music is used in
interrogations. Those include bassist
Stevie Benton, whose group Drowning Pool
has performed in Iraq and recorded one
of the interrogators' favorites,
"Bodies."
"People assume we should be offended
that somebody in the military thinks our
song is annoying enough that played over
and over it can psychologically break
someone down," he told Spin magazine. "I
take it as an honor to think that
perhaps our song could be used to quell
another 9/11 attack or something like
that."
The band's record label told AP that
Benton did not want to comment further.
Instead, the band issued a statement
reading: "Drowning Pool is committed to
supporting the lives and rights of our
troops stationed around the world."
Vance, in a telephone interview from
Chicago, said the tactic can make
innocent men go mad. According to a
lawsuit he has filed, his jailers said
he was being held because his employer
was suspected of selling weapons to
terrorists and insurgents. The U.S.
military confirms Vance was jailed but
won't elaborate because of the lawsuit.
He
said he was locked in an overcooled
9-foot-by-9-foot cell that had a speaker
with a metal grate over it. Two large
speakers stood in the hallway outside.
The music was almost constant, mostly
hard rock, he said.
"There was a lot of Nine Inch Nails,
including 'March of the Pigs,'" he said.
"I couldn't tell you how many times I
heard Queen's 'We Will Rock You.'"
He
wore only a jumpsuit and flip-flops and
had no protection from the cold.
"I
had no blanket or sheet. If I had, I
would probably have tried suicide," he
said. "I got to a few points toward the
end where I thought, `How can I do
this?' Actively plotting, `How can I get
away with it so they don't stop it?'"
Asked to describe the experience, Vance
said: "It sort of removes you from you.
You can no longer formulate your own
thoughts when you're in an environment
like that."
He
was released after 97 days. Two years
later, he says, "I keep my home very
quiet."