An Overview of the Ancient Egyptian Cult
by Jefferson Monet
The Cult Center of Karnak
nlike our modern religions,
ancient Egyptian religion was not based on a
set of theological principles, nor did it really
depend on the content of canonical writings.
Rather, it evolved around how people interacted
with their gods, and these actions are termed by
Egyptologists as "cult", which is roughly
synonymous with "ritual". In the ancient
Egyptian language, there is no specific word for
"ritual". They variously referred to these
interactions with the gods as irt ht (doing
things), irw (things done) or nt (regular
procedures).
Cults were focused on ntr, which
since the
Ptolemaic (Greek) period has been translated
as god. However, the ancient Egyptians applied
this term to people and things which we today
would hesitate to call gods. In fact, Dimitri
Meeks has recently suggested that the common
feature of all entities called ntr by the
ancient Egyptians is that they were the
beneficiaries of ritual. However, we might
better define these entities by separating them
into several classes.
First of all, there were of course beings who
originally existed as gods. Rituals served to
preserve their existence as gods through
providing them with sustenance and other
benefits. The second class were entities that
became ntr through ritual. This general category
can be further divided between those who became
ntr during their lifetimes, and those who became
ntr after death. Examples of the first type
include the king and special animals who were
thought to be manifestations of the gods.
Examples of those who became ntr after death
include various common people who became
deified, the most famous of which was probably
Imhotep, and mummified animals.
In order to conduct the cult of the gods, the
Egyptians constructed religious facilities that
remain some of the most elaborate structures
ever built.
These temples were called by the ancient
Egyptians, hwt-ntr, meaning "the house of the
god". These temples actually usually served
several gods, and in order to sustain these cult
activities, considerable resources, such as
extensive networks of land, livestock and
personnel were required. These necessary
resources that were required to support the
activities of a temple were referred to as r-pr,
meaning "temple estate".
Most
temples prior to the
New Kingdom appear to have not survived.
Scholars sometimes attribute this to their
construction using perishable materials, which
is probably true of the earliest of these
structures. However, it is also likely that
materials from well built temples of, for
example the
Middle Kingdom, may have often been reused
in later building projects. Nevertheless,
beginning with the New Kingdom and continuing
through the
Greco-Roman
periods, the Egyptians built enormous stone
temples that provide us with our primary source
of information on cult activity.
We know that important Egyptian temples
employed a large number of
priests and servants who performed a wide
variety of tasks. Theoretically, only the
king, who was the only living person in
Egypt considered to have the status of ntr,
could officiate in the cult before the gods. It
was he who was considered to be the high priest
of all the gods and goddesses of Egypt, and on
who's shoulder's fell the responsibility for
their contentment. However, in reality the king
delegated to the various priesthoods who served
the gods the responsibility of their welfare.
Though many major priestly appointments were
made by the king himself, others could be made
by local officials, and at various times during
Egyptian history, priestly offices could be
inherited.
Priests
were usually divided into four groups that were
called "gangs of the service", to which the
Greeks gave the name, phyles. Each group served
one lunar month in rotation, so that during the
year each one served for three months with three
months off between months of service. This
actually allowed some priests to hold
priesthoods in several temples. In the mature
ancient Egyptian cult, there were two main
classes of priests. Those of the highest class
were called hm-ntr, meaning "god's servant".
They functioned in the presences of the god's
statue, and the Greeks translated hm-ntr as
"prophet", because it was these priests who
interpreted the oracles of the gods. The chief
priests of a temple were designated by ordinal
numbers and so the high priest of a temple was
called hm-ntr tpy, or "first prophet". In some
temple cults, the high priest received special
titles. For example, the high priest of
Ptah was called "he who is great at
directing the crafts, while the high priest of
Re was "he who is great at seeing. The high
priest of
Thoth was "the arbitrator between the two"
and that of
Khnum was "the modeler of limbs".
The lower class of
priests were called the "pure ones". They
served such functions such as carrying the god's
bark, pouring water for libations during temple
services, as overseers of craftsmen, artisans or
scribes, or as craftsmen themselves, producing
sacred objects for the cult. There was also a
third class of priest known as it-ntr, or "god's
father". It has been suggested that these
priests were senior members of the lower class
priesthood who had perhaps reached the level of
prophet, but who were not yet formally inducted
into that office. At least one of their
functions seems to have been to walk in front of
the god's image in processions and sprinkle
water to purify the path.
Some
priests were also specialists. For example,
the hry-hb who "he who carries the festival
roll", and it was his responsibility for reading
the hymns and spells which accompanied many
rituals. The "scribe of the house of life" was
given the duty of copying the papyri used in
temple and funerary rituals.
During the
Old Kingdom, women could hold the office of
priestess (hmt-ntr) of
Hathor or
Neith. However, they rarely served as
priestess in the cult of a male god. Before the
New Kingdom, the office of priest was not
considered a full-time position, but with the
later introduction of the professional priest,
women could no longer hold priestly titles.
Mainly, they served as musicians, singers and
dancers of the cult. Later, however, they could
hold a vary prestigious title at
Thebes, known as the
Divine Adoratress, which was a prominent
position indeed.
The continued existence and prosperity of
Egypt was considered to depend on the successful
performance of cult activities, carried out by
the priesthood in the temple. At the very point
of
creation, the ancient Egyptians believed
that there was a small space of order that
appeared in the midst of chaos. Only within the
space of this order was life possible, and in
order to keep chaos from engulfing the created
world, it was necessary to perform the cult of
the gods. These cult activities primarily
consisted of rituals that were conducted on a
daily basis, and those carried out periodically
during
specific festivals.
The
focus of all the cult activity was usually a
statue of the god known as an "image". These
were usually small objects, averaging about 50
centimeters (22 inches) in height, that resided
in a naos or bark shrine in the chapel of the
temple's inner sanctuary. Made of wood, stone,
or sometimes precious metals, since most temples
housed more than god, they also contained more
than one cult statue. However, these statues
were usually produced with only the most
permanent or symbolically significant materials.
The skin of the gods was considered to be pure
gold, so divine images were often gilded or made
entirely with this precious metal. The hair of
the gods was said to be like lapis lazuli, so
this was the semi precious stone that was often
inset into statues of deities to signify their
hair and eyebrows.
Like the mummies of the deceased, once these
statues were completed by the craftsmen, they
underwent a ritual called the "Opening
of the Mouth", which transformed the statue,
allowing it to be used by the god to manifest
itself and in which the divine
ka and ba could take up residence. However,
it should be noted that the statue itself was
not the subject of worship. They were simply one
means by which the gods could receive worship.
At any particular point in time, the daily
temple ritual took essentially the same form in
every temple in Egypt. This ritual evolved from
that for the sun god
Re at
Heliopolis, which evolved around the rebirth
of the sun each morning. Elements of the Osirian
belief were later incorporated into this daily
ritual, symbolizing the restoration and
revivification of the dismembered body of
Osiris. For the purpose of the ritual, the
cult-statue became to be identified as both Re
and Osiris.
Our understanding of these rituals comes
basically from two main sources, which include
the temple reliefs that depict the king
performing the various tasks of the ceremony,
and papyri that list the rituals and the hymns
which accompany them. Though these sources have
allowed scholars to reconstruct the various
events of the daily ritual, they do not provide
the sequence of activities.
However, we might suppose that before dawn,
two
priests may have been responsible for
filling containers with water from the sacred
well of the temple and replenishing all of the
libation vessels. In the kitchens, priests would
have been busy preparing offerings for the gods.
The main officiating priest, a hm-ntr, would
then go to the "house of the morning" where he
would be ceremonially purified, dressed, given a
light meal, and prepare to conduct the morning
ceremony.
As
the sun rose, the bolt was drawn back and the
door opened to the shrine that contained the
god's image. Since only the king was considered
to be able to confront the god, as the
officiating priest approached the statue, he
would declare that "it is the king who has sent
me to see the god". Now the priest prostrated
himself before the image, and the chapel was
ritually purified with water and incense before
a small figure of the goddess
Ma'at was presented to the god, symbolizing
the proper order established for the world at
creation.
Next, the image of the god was probably
removed from its shrine, and the clothing and
ointment provided the statue the previous day
were removed. We believe that the statue was
placed on a pile of clean sand and the shrine
was then purified with water and incense. The
image of the god would then be adorned with
green and black eye paint, as well as anointed
with several oils. The statue was then dressed
in clothes that were colored white, green, blue
and red. The white and red cloths would protect
the god from his enemies, while the blue hid his
face and the green ensured his health. The god's
image was then presented with his regalia, such
as crowns, scepter, crook, flail and
wsh-collar.
Finally, the face of the statue would be
anointed, sand scattered around the chapel and
the statue replaced in its shrine, before the
door was once more bolted and sealed. As the
priest performed the final purifications and
left the sanctuary, he would drag behind him a
broom in order to obliterate his own footsteps.
Though
at what point it took place is unclear, at some
time during the morning ritual, the offering
would take place. This provided the god with his
"breakfast, and may have occurred before the
final purification of the chapel in preparation
for placing the statue in the shrine. Other
scholars believe it may have taken place before
the undressing and dressing of the statue.
Though an enormous meal consisting of meat,
bread, cakes, beer, milk, honey, vegetables and
fruit was prepared for this purpose, only a
small, symbolic portion of it was actually
placed before the statue. There was an
offering formula listing the various items
that was recited by the priest, and incense was
burned and libations made in order to purify and
sanctify the offerings. Of course, the god did
not actually consume the offerings, but rather
took from them their essence, so they could be
shared with the other deities of the temple.
In fact, the offerings were also used in the
ritual of the royal ancestors, where they were
provided to the king's royal predecessors, often
depicted in the form of a list of their names.
Next, the offerings were finally provided to the
statues of other individuals found in the
temple, before ultimately becoming the property
of the
priests. The priests received a share of the
offerings based on their rank, and this was one
manner in which the priests were compensated for
their service.
Though the morning ritual was the primary
ceremony of the day, there were also less
elaborate ceremonies that took place at noon and
in the evening. However, during these services,
the doors of the god's chapel were not opened.
They consisted mainly of pouring water libations
and burning incense before the shrines of the
gods.
There
were other rituals that were performed
throughout the night and day, consisting mostly
of apotropaic dramatic rituals meant to repel
threats against the gods. Frequently, these
threats originated in the form of
Seth, the murderer of Osiris, or
Apophis, the serpent who tried to stop the
daily voyage of Re thereby bringing an end to
creation. On
Re's behalf, hymns were sung during the
twelve hours of the day and the twelve hours of
the night to protect Re on his journey. Images
of these enemies were created from wax or clay
and then destroyed, thereby bringing about the
enemies destruction through magic.
There were also a number of festivals (hbw)
that were celebrated throughout the year, though
their nature could vary considerably over
Egyptian history. Workers, as evidenced by
records at
Deir el-Medina, were given days off for
festivals. During the reign of
Tuthmosis III, we know that in the
temple of Amun-Re at
Karnak, some fifty-four festivals were held,
and at
Ramesses III's temple at
Medinet Habu, sixty festival days were
celebrated. Some of these festivals were small,
but others could last as many as twenty-seven
days and require large expenditures of food and
beverages for participants. Records recording
one festival related to
Sokar record that 3,694 loaves of bread, 410
cakes and 905 jars of beer were distributed.
Some of the more important of these festivals
include the celebrations for New Year's Day, the
festival of
Osiris at
Abydos, during which the "mysteries" of this
god were celebrated, the festival of
Hathor, when her statue was bought before
the
royal cult complex and the festival of the
Coronation of the Sacred Falcon of
Edfu. There was also the Beautiful Festival
of the Valley during which the statue of
Amun-Re was taken from
Karnak to the temple at
Deir el-Bahri, as well as other royal cult
complexes on the west bank of the
Nile River (particularly that of the
reigning king). This was also a celebration for
the people, who would visit the tombs of their
relatives and observe an all-night vigil where
they shared a feat with their deceased
relatives.
During
the festivals, the focus remained on the statue
image of the god, but the statue would now be
housed in
bark shrines. The Egyptian gods always
traveled in
boats. Sometimes the boat was real, when the
god traveled on water, but at other times the
bark was a symbolic boat carried over land on
the shoulders of
priests. During these festivals, the journey
could be as short as a procession through the
temple, or the god could leave the temple to
visit another deity some distance away. The bark
shrine was carried along processional avenues
which were often lined with sphinxes. Along the
way, essentially open-ended buildings were
placed as stations on which the priests could
rest the bark. At these points, the priests
would perform fumigations and provide libations
and hymns to the god's image.
These festivals and processions provided the
general population with access to the gods,
which was otherwise not available, since the
farthest most people were admitted into the
temples was the open forecourt. Though most
scholars believe that the bark shrine was closed
during these processions, hiding the image from
the onlookers, Dirk van der Plass argued that
numerous texts describe the desire of people so
see the image of the god, and therefore believes
that the shrine was left open. The ancient
Egyptians believed that individuals could be
healed of various illness by beholding the god's
image.
People could also approach the gods during
festivals in order to seek an oracle, though the
first clear evidence for oracles only occurs as
early as the
New Kingdom. However, John Baines has
suggested that evidence for the existence of
oracles may exist as early as the First
Intermediate Period, and that even earlier
examples may exist. This practice consisted of
placing questions with simple yes or no answers
written out on small flakes of limestone or
ostraca before the gods. These were often
questions regarding relatively everyday matters.
The movement of the bark-shrine carried on the
shoulders of the
priests indicated affirmative, if moved
forward, nor negative if the priests moved the
shrine back.
It
should be noted that not all cult worship took
place in the normal temple environment. Though
during the New Kingdom a type of public chapel,
known as a "Chapel of the Hearing Ear" was
sometimes built into the rear of regular temples
for the general public, there also came to
exist, particularly during the
New Kingdom, sites at
Amarna and
Deir el-Medina that evidence public chapels
which would have contained either a small cult
statue, or more commonly a stela with an image
of the god. Areas in some private homes were
even set aside for worship. At Amarna,
upper-class homes had domestic shrines
containing statues of
Akhenaten and his family, or stelae showing
the royal family venerating the
Aten (sun disk). Also, many of the houses at
Deir el-Medina contained household shrines
consisting of a wall niche which could be
equipped with an offering table or libation
trough. Such areas might be found in any room,
including the kitchen. Popular gods for such
shrines included
Mertseger,
Renenutet,
Sobek,
Amun,
Taweret and
Hathor, though deceased relatives were
frequently worshipped as the "able spirit of
Re".
Small, public chapels were usually served by
lay
priests, but we have little information
about the cult practices in these, or in home
shrines. Doubtless, offerings of food, libations
and incense were made, but what other forms of
rituals took place is unknown. These shrines
served as places where people could make
specific requests of their gods in prayer.
Gods of
the Egyptians, The (Studies in Egyptian
Mythology)
Budge, E.
A. Wallis
1969
Dover
Publications, Inc.
ISBN
486-22056-7
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